Break the Cycle

Currently Funding

Cyril Prabhu grew up without his father, and as an adult, God led him to one of the most difficult segments of society: The United States prison system.

Cyril learns a painful and inescapable truth: A child with a parent in prison today has an 82% probability of ending up in prison as well. And this cycle continues generation after generation after generation.

This heart-wrenching and inspiring true story takes us on a Cyril’s emotional journey to to reconnect children with their incarcerated dads in an effort to BREAK THE CYCLE.

Funds will be used for completion of film. Upon film completion and release, plans are in motion to create a follow-on TV series.

Funding Progress | $35,000 of $61,000

57%

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Overview

Break the Cycle

Based on a true story. Cyril Prabhu grew up without his father, and as an adult, he sensed God’s call on his life to help children rebuild relationships with their absent fathers.

Believing that with God all things are possible, Cyril’s calling led him to one of the most difficult segments of society: The United States prison system.

It is estimated that 735,000 fathers are incarcerated in federal prisons. And the staggering reality is that 82% of their children will also end up in prison.

Against these impossible odds, Cyril founds a most unique and heart- wrenching ministry to reconnect children with their incarcerated dads. With immovable resolve and Christ-centered conviction, Cyril’s mission is to break the cycle.

Funds will be used for completion of film. Upon film completion and release, plans are in motion to create a follow-on TV series.

THE TRUE STORY ON WHICH THE FILM IS BASED:

THE REAL LIFE MINISTRY:

CAST

Albert Finney

The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).

Ioan Gruffudd

Ioan Gruffudd was born on October 6, 1973 in Cardiff, Wales, UK to educators Gillian (James) and Peter Gruffudd. He has a brother, Alun, who is two years younger and a sister, Siwan, who is seven years younger. He got his start at age 13 in the Welsh soap opera Pobol y Cwm (1974). He attended the Royal Academy of Dramatic Art from 1992 to 1995, and was then cast as the title role of the television remake Poldark (1996). After playing Oscar Wilde's lover John Gray in Wilde (1997) and Fifth Officer Harold Lowe in Titanic (1997), Gruffudd became a leading man in the Hornblower series of television movies between 1998 and 2003. He then played Pip in the big budget BBC production of Great Expectations (1999). Other film roles include 102 Dalmatians (2000), Black Hawk Down (2001), King Arthur (2004), Amazing Grace (2006), Fantastic Four (2005) and Fantastic Four: Rise of the Silver Surfer (2007).

Michael Gambon

Sir Michael Gambon was born in Cabra, Dublin, Ireland, to Mary (Hoare), a seamstress, and Edward Gambon, an engineer. After joining the National Theatre, under the Artistic Directorship of Sir Laurence Olivier, Gambon went on to appear in a number of leading roles in plays written by Alan Ayckbourn. His career was catapulted in 1980 when he took the lead role in John Dexter's production of "Galileo". Since then, Gambon has regularly appeared at the Royal National Theatre and the RSC. Roles include, King Lear, Othello, Mark Anthony and Volpone. He was described by the late Sir Ralph Richardson as being "The Great Gambon" and he is now considered to be one of the British theatre's leading lights. He was made a CBE in 1992.

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Make a tax deductible donation of any amount! Your donation goes immediately to the finishing, marketing and distribution of Break The Cycle. That means your donation immediately begins working and making an impact on the culture for Christ!

FOR-PROFIT FUNDING PARTNER

At Kappa Distribution, we strive to ensure absolute transparency and fairness for all those who contribute financially to our films. This includes both those who have supported the film’s production and those who contribute to its marketing and distribution. Therefore, we reject the conventional Hollywood financial models where only a few individuals receive the majority of the revenue generated by the film, leaving the vast majority with little to no compensation. Instead, with Kappa Distribution, we all share in the revenues from the very first dollar generated until the last.

When a film is distributed, there are myriad revenue streams that generate income, such as theatrical releases, digital streaming, and foreign sales. The majority of the revenue (approximately 70%) is earned within the first year after the film’s release. By the end of the second year, approximately 90% of the film’s total revenue will be received, with the remaining 10% trickling in during the third year and beyond.

As our mission at Kappa Distribution is to impact the culture for Christ, we believe it is crucial to assist filmmakers in achieving financial success so that they can continue creating films that make a positive impact on the culture. Therefore, after decades of experience and years of prayer, we firmly believe that the following financial model is in the best interest of all parties involved:

Initially, all revenues generated through the film’s distribution will be split as follows:

Marketing & Distribution funders 40% (prorated)
Filmmaker/Film funders 35%
Kappa Distribution 25%

Once the marketing & distribution funders are made whole, revenues are split as follows for the duration of the agreement:

Marketing & Distribution funders 10% (prorated)
Filmmaker/Film funders 70%
Kappa Distribution 20%

Are you a fund? If so, the profits from the finances you provide can go back into your fund.

Funding to COMPLETE FILM

$35,000 of $61,000

57%

Funding for MARKETING & DISTRIBUTION

$0 of $185,000

Episode 1

$927,296

Raised*

2,173 People*

Funds will be used for MARKETING & DISTRIBUTION (P&A). If you are considering funding all or part of the P&A, a private link of the film available upon request.